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If you ever said you’ve never experienced being high, then you’ve never listened to The Weeknd. Through a catalog expanding eight years, Abel Tesfaye has taken us on an endless XO drug trip filled with partying, sex, love, and heartbreak. From the moment he croons “I just wanna take you there” on the start of “High for This”, we’re hooked.

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In the recent rumor mill, the Toronto singer was apparently gearing up to drop another EP after the tear-wrenching My Dear Melancholy,. Sadly, it seems to be all social media white noise. However, the 28-year-old musician recently revealed to New York Times that he wrote an entire album prior to MDM but scrapped it because it no longer reflected his feelings. Many speculated this was due to his break up with Selena Gomez. “It was very upbeat — it was beautiful,” he told the publication.

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Only time will tell if we will ever get to hear that project, but regardless, it has us running back to his lengthy catalog of hits to get another fix of the beautiful dark twisted fantasy that he consistently conjures up. Since the release of his critically acclaimed House of Balloons mixtape, young Abel’s trademark braggadocio has been tearing our hearts to pieces since 2011, and we can’t get enough of it.

Overtime, Abel has transitioned himself to be more than just a mysterious indie prince from Toronto, but a full on pop star with strong comparisons to the king of pop, Michael Jackson. He’s pivoted his drug-induced approach to lyricism, mixing it with dance/funk instrumentation befitting his superstardom. Some call it the “new Weeknd” versus the old, but really it’s just another stage of the drug-infused trip he has us addicted to.

To celebrate The Weeknd’s career, we’ve compiled a list of his top 25 songs of all time. Take a look at the ranking below, and make sure to share your favorites with us in the comment section.

25. “Love in the Sky”

“If you commit to this ride/ There’s no turning back,” he sings in the opening verse of one of his most overlooked songs (#changemymind).

/download-torrent-cowboy-bebop-movie-yify.html. Latching on to a tangible state of dreaming, possibly drug-induced, the Weeknd confesses the consequences and hardships of acquiring this new, fame-enhanced lifestyle on a slow, softcore jam .

“As for me, I’ve been flying around the world/ I’ve been killing these shows/ But I’m always getting high/ Cause my confidence is low” he sings over a melodic thunderous rainstorm. You will love to dream after hearing this one.

24. “The Knowing”

What’s the first Weeknd song you cried to? If you said “The Knowing”, we have something in common. Serving as the conclusion of the original House of Balloons mixtape, Abel breaks our hearts with a ballet some believe to be about infidelity; a confessional about a man who cheats on the woman who cheated on him.

Whatever meaning you take from his lyrics and cryptic music video, the song still evokes similar emotions in all of us as he belts “you probably thought that you’d break my heart/You probably thought that you’d make me cry”. I’m not crying, you’re crying!

23. “Starboy” (ft. Daft Punk)

The Weekend’s first Daft Punk collaboration was a hit. “Starboy” landed at number one on the Billboard Hot 100, and currently has over a billion views on YouTube, making its way into the top 50 most viewed YouTube videos of all time, and The Weeknd’s most viewed video by far.

This single furthers Abel’s adopted new dance-influenced sound with a pop hook that may make OG fans throw a side eye. However, everything that makes The Weeknd ‘The Weeknd’ is still present. The talk of drugs, love, and his reckless lifestyle are all still key topics of discussion but dressed in a more radio friendly bop.

22. “Drunk in Love Remix”

Why is this still not on Spotify?! Leave it to The Weeknd to “Dark Knight” one of the biggest hits of 2013 and bring it down to his XO level. Besides leaving Beyoncé’s original hook intact, Abel presents his own risqué meaning of being drunk in love. “I woke up in the mornin’, models passed out in the shower,” he croons. It’s so Weeknd! As soon as he spits “I’ve been mixin’, I’ve been sippin” you know you’re in for another wild ride through Abel’s explicit party life.

21. “Die For You”

His “Drunk in Love” remix may make you think that Abel’s meaning of love is a little skewed, but then came “Die For You” in 2016. “I’m findin’ ways to articulate the feeling I’m goin’ through/I just can’t say I don’t love you/’Cause I love you, yeah,” he sings as the track opens.

Tesfaye croons about the conflicting feelings and pain that comes with letting go of someone. He lays it all out for his significant other over emotive synths as he explores the theme of Love, which is new for The Weeknd. We’re here for it. He’s come a long way.

20. “Wasted Times”

On “Wasted Times”, The Weeknd proves he could do Drake better than Drake, or at least come close. The My Dear Melancholy, bop finds Abel at his most vulnerable, as the track serves as a lyrical musing about missing his ex Bella Hadid.

However, the real highlight of the song is the production. The quintessential XO has always played a major part in creating the euphoric element of The Weeknd’s music, and “Wasted Times” showcases Tesfaye’s still-sharp ear for cool, contemporary sounds thanks to a helping hand from Skrillex and Frank Dukes.

19. “Gone”

“Gone” feels like we’ve stepped into The Weeknd’s mind during a lit night out. Abel stumbles and slurs his words as he boasts about his successful career and lifestyle on a dark brooding beat. In an interview with Complex, The Weeknd revealed that “‘Gone’ was a complete freestyle” and it didn’t “even know what the fuck I said.” The track has the longest runtime on Thursday and somehow Abel manages to arguably make one of his deepest and rawest performance in his catalog, and he did it all with just his subconscious.

18. “Often”

Abel is really felling himself on “Often.” The track samples vocals from 1978’s “Ben Gene Sana Vurgunum” by Turkish singer Nukhet Duru, a song all about the pain of unrequited love. The Toronto native boats about his superstar lifestyle, which of course mostly entails sexual encounters with multiple women. When you at the top, they all want you. The track is a bittersweet vibe as Abel proves once again he can captivate on his signature ability to strain total debauchery through sweet melody successfully.

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17. “The Zone” (ft. Drake)

“The Zone” is the soundtrack to a late night “you up?” text, and the only way you’ll get The Weeknd to come over is if he’s on one. The track proves that the OVOXO duo is strong. “I’ll give you what you called for/Just let me get in my zone,” Abel belts out over the slinky, guitar-heavy production leading up to Drake‘s grand closing. This is the first collaboration between The Weeknd and Drake on one of Abel’s projects, but arguably stands up against their best collaborative works. We need more from them ASAP!

16. “Earned It”

The 50 Shades of Grey soundtrack proved Abel Tesfaye’s ideal entree into the pop mainstream. The production on “Earned It” is a big change from the moody sensual tracks we’re a custom to as The Weeknd commends his girl for being amazing in and out of the bedroom with a liquid falsetto. Say what you want about the film, but this single is a hit!

15. “The Birds Pt. 2”

She clearly didn’t listen in Part 1, and foolishly enough fell in love with the bird. “The Birds Pt. 2” serves as the dramatic ending The Weeknd warned us about in the track’s predecessor, pleading to a woman not to fall for him. Inevitably she does, and now “She said please, mercy me, mercy me/Let me fall outta love,” as one of the darkest, most eerie songs in Abel’s discography emerges.

14. “I Feel It Coming” ft. Daft Punk

Ever since The Weeknd released “D.D.”, a moody cover of Michael Jackson’s “Dirty Diana”, the comparisons to the late King of Pop started surfacing. Then came along “I Feel It Coming” and pretty much solidified that idea. The song screams MJ, from the chorus, to Abel’s falsetto, to the disco groove-produced sound from Daft Punk. This might be the happiest Weeknd we’ve gotten so far, and it doesn’t disappoint.

13. “Coming Down”

“Coming Down” is exactly what you think. Through the events played out in “The Party & After Party”, the following track has a young Abel dealing with the consequences for his drug-fueled, party lifestyle. Over a dark, gloomy wind rolling past, blues-like strums, he wears his regret on his sleeve singing, “I’ve got something to tell you/but don’t know how I’m gon’ say it”, which clearly tells the listener that his recklessness is about to get him into some trouble.

12. “Wicked Games”

Usually, Abel is the heartbreaker, but in “Wicked Games” we find him desperately looking for love. What makes this song so special is The Weeknd’s ability to sing about doing bad things while ultimately convincing us that he’s the real victim. From the start, he reveals, “I left my girl back home/I don’t love her no more/And she’ll never fucking know that,” but he’s singing like he just got dumped. In the company of a stripper or prostitute looking for romance knowing that it will inevitably fail, he belts out, “So tell me you love me/Even though you don’t love me!” and we can’t help but feel for him. You’re a wizard, Abel!

11. “Can’t Feel My Face”

“Can’t Feel My Face” is The Weeknd’s biggest crossover into the realm of pop. Comparisons to Michael Jackson have never been more accurate as the Toronto singer croons over a bouncy and energetic production from Max Martin.

It spent nineteen weeks in the top ten on the Billboard Hot 100 chart, with three non-consecutive weeks at number one before being surpassed by his own single “The Hills”. The Weeknd proves here that he’s not just the indie crooner we loved from the glory Trilogy days, but a bona fide pop star.

10. “King of the Fall”

Abel ain’t scared of the fall. In fact, as we came to learn, he’s the king of the fall; he comes alive in the fall time. The track itself plays out as a lengthy, uninterrupted haunting flex as The Weeknd continuously vents about his glow up and other darker subjects.

“King of the Fall” puts Abel’s swagger to the forefront, and when he belts out “all my hoes are trained, I make all of them swallow” like 15 times in a row, you can’t help but nod your head back and forward.

9. “Initiation”

Throughout this dark and grungy track, The Weeknd’s voice is chopped-and-screwed so as to make it sound like his voice is slowed, than sped up; a sound inspired by Vampire Weekend’s “Diane Young”. It’s extreme. It’s evil, and arguably his darkest song in his catalog, as Abel tells a girl to engage in explicit activities if she wants his love.

“Baby, you can have it all/there’s just something that I need from you/is to meet my boys”, he sings. “Boys” refer to either his XO crew, meaning she would have to “treat them right.” The other possibility is that it refers to Abel’s drug collection; she needs to engage in his drugs before she can be accepted. Either way you interpret it, if you want Abel’s heart, the sex, drugs, and homies are a package deal.

8. “High For This”

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The very first song on House of Balloons, and subsequently the first song many of his day one fans were introduced to, is a true stunner. Like a polite host, Abel coaches us through getting high whispering, “Don’t be scared/I’m right here”, in the most gentle of tones. His unique voice paired with a euphoric booming production welcomes his guests into a world that would later shape the entire genre of dark R&B, as we know it today. “You don’t know/What’s in store,” he sang. Yep, you were right.

7. “The Party & the After Party”

“The Party & the After Party” puts The Weeknd’s storytelling front and center. As a young man with newfound fame, The Weeknd’s paranoia acts up, making him question the relationships around him. Propped up on a woozy, narcotic sample from indie pop duo Beach House, it brings a sort of ethereal sensuality to this eight minute track. It’s easily one of his sexiest songs to date, and when Abel belts, “Baby, if you knewww, the feelin’ I would give to youuu…” you’ll yearn for more and more.

6. “The Birds Pt. 1”

Rule #1: Don’t fall in love with The Weeknd. The singer has often been painted and largely paints himself as a heartbreaker. He makes quite sure that message gets across in “The Birds Pt. 1”. As most of Thursday runs over the five minute mark, this hard-hitting anti-love track barely hits three. Abel gets right to the point, detailing a conversation between him and his girl.

Through an enticing mix of R&B cooing on the verses to the thunderous choruses “I swear/I’m just a bird/Girl, I’m just another bird,” Abel pleads her not to fall in love. But after hearing the heavenly acoustic outro that’s more captivating than Step Brothers“Catalina wine mixer” performance, how can you not fall in love with that voice?

5. “Rolling Stone”

“Rolling Stone” plays out like an open letter to fans as Abel accurately predicts his own future. Instead of settling on the quintessential XO sound and success he found early in his career, he confronts his fear of wanting to grow more as an artist and the impact on his music to do so. He hopes his fans will follow him through his journey, as he sings, “I’ll be different, I think I’ll be different, I hope I’m not different, And I hope you’ll still listen.” This track is a mold between what we perceive as the “old Weeknd” and the new. It’s one of his most personal tracks to date, and that’s what makes it so special.

4. “The Hills”

“The Hills” is reminiscent of Abel’s youth shenanigans from his previous work, but on a famous scale. Instead of tearing up the streets of Toronto, he’s now set in the hills of LA. Over harsh, atmospheric synths, the dirty lyrics, and the blatant references to drug abuse, the XO lifestyle still persists. He hints at an affair with an equally-famous star as he reiterates throughout the chorus, “I only love it when you touch me, not feel me.” “The Hills” depicts a smug authenticity that we’ve grown to love about The Weeknd’s music, but on a grander scale. A classic for sure.

3. “The Morning”

A favorite of many XO fans, “The Morning” is a much warmer track from House of Balloons that has Abel singing about a stripper/prostitute from the night before. After a long night comes the morning, he reflects on his seemingly-entranced with this girl as he famously chants “All that money, the money is the motive.”

It’s some of the most vivid storytelling in his entire output, as he depicts a Fear and Loathing in Las Vegas-esque nightlife that ultimately leads to codeine cups, drinking Alizé with cereal for breakfast, and the “walls kicking like they’re six months pregnant.”

The warm hues and smooth tones of the productions sounds like a sun teetering through the clouds, giving our ears a feeling of escapism from the darker vibes of the rest of the album.

2. “Tell Your Friends”

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“Tell Your Friends” has our Canadian crooner inviting listeners to take a real look at his past, present, and future. Abel, who’s never shied away from giving fans a detailed look into wild lifestyle, proves he has nothing to hide. Over the course of nearly six minutes of blissed Kanye-produced chords, the XO star unleashes the most glorious run of shit-talking about his success, to his rough upbringing, to the issues dealing with fame at this point in his career. It’s a stunning reflection of Abel’s ascension to becoming a a living legend.

1.“House of Balloons/Glass Table Girls”

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This is the quintessential “old Weeknd” persona that we all fell in love with. This is The Weeknd before the Grammy award-winning hits or Billboard chart-topping radio bops. “Glass Table Girls” paints a dark vivid picture of Abel’s youth party life featuring a flurry of women and drugs. The song evolves into a twisted reflection of the night’s preceding events, foregoing entertainment and stumbling into recklessness.

His risqué storytelling reads out like a gothic novel as his soft melodic voice narrates and entices you to adventure deeper and deeper into his twisted world. If anyone asks what song sums up The Weeknd’s music, we’d play this. It’s the XO anthem.

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Artist: The Weeknd
Title:House of Balloons

Cop this important mixtape from one of Toronto’s best and clearly one of the leaders of the new school of R&B and pop.

Tracklist:
1.High For This
2.What You Need
3.House Of Balloons – Glass Table Girls
4.The Morning
5.Wicked Games
6.The Party & The After Party
7.Coming Down
8.Loft Music
9.The Knowing

Review from Pitchfork:

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Less than two months ago, few of us had ever heard of the Weeknd. Then, as soon as the creepy R&B tracks from this free mixtape began to circulate, the hype engine revved up. There was the Drake cosign, the album art that looked like Spiritualized crossed with Tumblr art-porn, the missing vowel, the stylish samples, and the project’s creators hiding in the shadows. You can’t buy buzz like this, and the Weeknd’s quick rise to Internet fame, both in indie circles and in parts of the mainstream, raised fascinating questions about the blurrier-than-ever lines between those two audiences and the underground’s newfound embrace of R&B. (see also:Frank Ocean, Tri Angle Records, How to Dress Well.)

These are very interesting topics that have already spawned some good thinkpieces around the web, but set all that aside for a moment and you’re still left with an album, same as always. And this album happens to be very good. The work of Toronto singer Abel Tesfaye and producers Doc McKinney and Illangelo (Drake producer Noah “40” Shebib, is not, as has been reported, involved in the project), House of Balloons is a remarkably confident, often troubling debut that excels at both forward-thinking genre-smearing and good old-fashioned songcraft. Take for starters the track “What You Need”: with Burial-style vocal samples, techno scrape, and a sticky pop chorus, it’s far from your average R&B number.

Of course, the Weeknd are not without forebears– producers from Rodney Jerkins to Static Major and recently The-Dream have been pushing the sonic boundaries of R&B for some time now. Where the Weeknd differ, though, is that their source material pulls from the leftfield (the title track re-purposes Siouxsie and the Banshee’s “Happy House”, two songs here ride mutated Beach House samples), and their approach is more about building vibe and atmosphere. They’re great at rich, woozy compositions that send Tesfaye’s aching falsetto through the mix. An example is “The Morning”, which feels at first like a spacey synth instrumental before a stuttering digital drumbeat announces this massive, swaying chorus that enters your brain and refuses to leave.

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The group’s penchant for druggy atmospherics is mirrored in their lyrical content, which is overtly sexual, narcotics-focused, and occasionally downright frightening. Debauchery is obviously nothing new in R&B, but this takes it a step further– the drugs are harder, the come-ons feel predatory and lecherous, and the general feeling is self-hating rather than celebratory. On opener “High for This”, Tesfaye handholds a partner through some strange sex act, singing, “Trust me, girl, you wanna be high for this.” “Glass Table Girls” is pretty clearly about doing coke. Because we don’t know these guys, it’s hard to say whether these are real-life tales or imaginative storytelling– you want to think the latter, but ultimately the anonymity makes it seem more disturbing.

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What makes this whole thing work in an album context is that all the thematic and sonic pieces fit together– these weird, morning-after tales of lust, hurt, and over-indulgence (“Bring the drugs, baby, I can bring my pain,” goes one refrain) are matched by this incredibly lush, downcast music. It’s hard to think of a record since probably the xx’s debut (definitely a touchstone here) that so fully embodies such a specific nocturnal quality. And even though the image of nightlife painted by the Weeknd isn’t a place you’d ever want to live, it’s one that’s frankly very hard to stop listening to.